supported by 5 fans who also own “Ins Verlies (Urne II)”
Late 90's BM worship, but it's also a lil more than that. This album takes the best elements from the scene it's inspired by and mostly avoids the worst of it; the song-writing is well-written, it's performed with passion and fun, and the production is raw but isn't lo-fi. (i.e. it doesn't obfuscate and/or suckass).
Tl;dr It's safe but high quality BM. Recommended. Rabbit
supported by 4 fans who also own “Ins Verlies (Urne II)”
For those of use whose attention span isn't what it was for ambient and who need something more narrative than noise, there is the sub-genre of atmospheric black metal that I'm inclined to call "monolithic". Paysage d'Hiver might be the archetypal example. But if you just want to be consumed by a relentless wall of beautiful air pressure, this is ideal. Luke
Nearly a decade after their last LP, the Chicago post-metal trio resurface with a punishing concept album set in an apocalyptic wasteland. Bandcamp New & Notable May 5, 2024
The metal’s band revelatory new record crosses genres and styles, effortlessly combining seemingly incompatible subgenres. Bandcamp Album of the Day Apr 26, 2024
supported by 4 fans who also own “Ins Verlies (Urne II)”
La traversée du désert n'aura pas duré quarante jours mais quatre longues années...
Avec Панихида, Батюшка renaît enfin de ses cendres et, bien que désormais seul (ou plus exactement entouré de deux chanteurs), Христофор accomplit un miracle. Il s'inscrit dans la continuité de Литоургиiа avec un black metal orthodoxe qui nous convie ici à une cérémonie dédiée aux morts. Sa vision est englobante : les mélodies, la gravité et le silence font toucher le paradis ; l'agressivité est luciférienne. Jordan Vauvert